[(The Pop Object: The Still Life Tradition in Pop Art )] [Author: John Wilmerding] [Sep-2013]

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[(The Pop Object: The Still Life Tradition in Pop Art )] [Author: John Wilmerding] [Sep-2013] by Martin F.; Wilmerding, John Krause.pdf

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Descriptions : Physical description ages illustrations cm Notes Includes bibliographical references Venue Exhibition held at Indianapolis Museum of Art May August Contents Introduction Essentially Robert Indiana Martin Krause The formalities of Robert Indiana John Wilmerding Plates Martin Krause Reproduction credits Summary Decoding Robert Indiana s work for a new generation this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker Famously proclaiming himself to be an American painter of signs Robert Indiana has created an enormous body of work much of it boldly colored abstractions In this incisive new examination of the artist based on ongoing conversations with Indiana art historian Martin Krause sifts through autobiographical clues within the artist s work and finds a wealth of affecting and affectionate references to Indiana s childhood literary heroes and the cultural icons of his generation In addition a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana s use of geometric shapes making unexpected connections that enhance Krause s thesis Accompanied by reproductions of more than rints from the period and focusing specifically on series such as Decade Autoportraits Vinalhaven Suite and The Hartley Elegies as well as the Love and Hope images and studies of Marilyn Monroe Picasso and the Brooklyn Bridge Krause s decryption of Indiana s visual language provides telling insight into the work of this quintessentially American artist Subjects Indiana Robert Exhibitions ART Individual Artists Monographs AMERICAN PAINTING AMERICAN PRINTMAKING Pop art










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